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NO.160 May's work 'The Lost Little Red Riding Hood'

Wandering through the dim forest, the eyes beneath the red hood hide unease and stubbornness. This work uses dark lighting and shadows to outline the dark side of the fairy tale, with scattered fallen leaves and irregularly placed dead branches, turning the word 'lost' into an elegant disorientation. The performer, with slightly furrowed brows and a reticent lip line, draws out delicate tension between innocence and danger.

NO.160 May's work 'The Lost Little Red Riding Hood'

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Wandering through the dim forest, the eyes beneath the red hood hide unease and stubbornness. This work uses dark lighting and shadows to outline the dark side of the fairy tale, with scattered fallen leaves and irregularly placed dead branches, turning the word 'lost' into an elegant disorientation. The performer, with slightly furrowed brows and a reticent lip line, draws out delicate tension between innocence and danger.

NO.160 May's work 'The Lost Little Red Riding Hood' — Work photo 1
NO.160 May's work 'The Lost Little Red Riding Hood' — Work photo 2
NO.160 May's work 'The Lost Little Red Riding Hood' — Work photo 3
NO.160 May's work 'The Lost Little Red Riding Hood' — Work photo 4
NO.160 May's work 'The Lost Little Red Riding Hood' — Work photo 5
NO.160 May's work 'The Lost Little Red Riding Hood' — Work photo 6
NO.160 May's work 'The Lost Little Red Riding Hood' — Work photo 7
NO.160 May's work 'The Lost Little Red Riding Hood' — Work photo 8

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